March 5th, 2025 – Here at Blast Toronto, we don’t often dive into the world of classical or “formal” music. It’s not that we don’t appreciate it—it’s just that the Toronto Symphony Orchestra (TSO) can feel a little out of reach for a publication like ours. So, when I lucked into a free ticket for the event, I figured, what the hell – why not? It’d been a while since I’d seen this kind of music live, and honestly, I was curious.

In short, the show wasn’t what I expected for typical symphony fare—it was a selection of 21st-century Broadway hits, complete with special guests straight from the source. However, when I first realized this, I had some pause.

As someone who doesn’t typically “do” musicals, I wasn’t sure what to expect.

After some thought, I figured the symphony setting divorced from the structure of the musical might appeal to me.

The Program

The program featured an assortment of popular and new Broadway tunes. Chiefly, we explored the last 20ish years, with performances from Dear Evan Hansen, Sister Act, Wicked, and more. It kicked off with the overture to The Producers by Mel Brooks, setting the tone for a lively and entertaining performance.

I thought each piece was masterfully arranged for the symphony, showcasing the versatility of the TSO under the baton of conductor Steven Reineke

Reineke, a celebrated conductor known for his work with The New York Pops, brought a dynamic energy to the podium. He displayed his ability to blend the symphony’s grandeur with Broadway’s glamour, making the performance engaging and thought-provoking.

The Stars of the Show

The unique highlights of the afternoon were the guest vocalists, all making their Toronto Symphony Orchestra debut. Each of them brought their unique flair to the stage while complimenting each other’s talents and that of the orchestra.

Aisha Jackson

The first to join the stage was Aisha Jackson. A powerhouse performer known for her roles in Waitress and Frozen, she made history as the first Black actress to portray Anna on Broadway. Her performance was a heartfelt moment that resonated deeply with the audience – and challenged my assumption that musicals. I always viewed them as primarily about the singing and the dancing, with other artistic concerns being secondary.

In retrospect, it makes sense, as I shouldn’t have expected musicals to be the exception to the rule. Indeed, I was moved by various lyrics throughout the show. While listening, I found held dual or implicit meanings, inlcuding ones that carried extra weight in these times.

Ali Stroker

Ali Stroker, another TSO debutante, is a trailblazer for disabled performing artists. The first actress in a wheelchair to win a Tony Award for her role in Oklahoma!, Stroker brought her signature exuberance to the stage. Her rendition of “I’m Here” from The Color Purple was a powerful demonstration of her incredible talent and resilience.

Derek Klena

Derek Klena, known for originating the role of Nick Healy in Jagged Little Pill, delivered a show-stopping performance of said musical’s “Perfect”. The Tony Award nominee brought his charismatic stage presence and powerful voice to his performances with his fellow co-stars.

Javier Muñoz

Javier Muñoz, best known for his role as and in co-creating Alexander Hamilton in Hamilton, brought his vibrant energy to the stage. Muñoz wowed the audience with a stirring performance of “Dear Theodosia” from the same musical. Particularly, his passion for both his craft and social change such as LGBT rights shone through in every note.

The Etobicoke School of the Arts Music Theatre Ensemble

Finally adding to the magic were the talented students from the Etobicoke School of the Arts Music Theatre Ensemble, led by David Ambrose and Patricia Warnock. Their performances were a beautiful reminder of the next generation of Broadway talent. Plus, I’m encouraged to see efforts to cultivate new performers.

Should you see the Toronto Symphony Orchestra?

I undoubtedly went into this performance with some skepticism. Broadway isn’t usually my thing. Plus, the TSO can feel a bit intimidating to someone more accustomed to indie shows, temporary stages, and clubs. But by the end of the afternoon, I held a new appreciation for the Broadway world and perhaps, musicals (but no promises).

I’ll admit: it was cool to see actual Broadway performers.

The combination of Broadway’s brightest stars, the immaculate musicianship of the Toronto Symphony Orchestra, and the youthful energy of the Etobicoke School of the Arts ensemble made for an unforgettable experience.

So, if you’ve ever felt like the symphony isn’t for you, I’d encourage you to give it a shot—especially when they’re mixing it up with something as accessible and exciting as 21st-century Broadway hits. Like I was, you might just be surprised at how much you enjoy it.

That said, its not just ourselves as a magazine, with its all-encompassing, somewhat blue-collar vibe, that might find access difficult. Tickets can be pricey – starting at over $100 depending on the show. So, look into trying to get a deal or discount on their website. For folks 15-35, they offer something called “TSOUNDCHECK“.

Until next time, keep supporting the arts—whether it’s in a concert hall, a community center, or your local dive bar.

(P.S. Sorry for the lack of photos – if anyone knows how one gets a press pass at the TSO, hit us up)